Billy Corgan Berlin Bullet Interview
Regis and Kathie Lee
April '96
Thanks to John Mulhausen for sending this to us
If you would like a copy of this interview on tape, email Nikki
Billy: We have broken some mold, whether somebody else is going to follow that mold, I don't really know or care, but the fact of the matter is, is we've...we've just been ourselves..and...we have all these components that everyone has; genius, fool, you know...smartass..It's all in there. But, you als..YOU, as an interview have to take responsibility for the thrust of your questions, and ask yourself what you're *really* asking, because a lot of times you're not really asking what you're asking.
Billy: A man can walk around and take claim for so many things, but it's got more
to do with..the genius of creation and humanity than it does any individuals,
so..That's where I sit a lot of the time. I don't really care..to gain platitudes or have
people pat me on the head. I know exactly what I am. You know. So that's why it
doesn't matter for me to play the idiot, genius, fool, zero..it doesn't matter, I don't
really care. It's not important for me to prove anything beyond, what I know that
I'm proving. So... Billy: I'm looking forward to focusing on a more select group of songs now, instead
of..I feel in some ways I probly spread myself a little thin..and certain songs would
be a little better if I just concentrated on certain songs.
Interviewer: Like for example?
Billy: Well..you know..For example if you take..if you take the four singles on
Mellon Collie..Zero, Tonight, Bullet, and 1979..If we were only working on an
album with those four songs and maybe 6 or 7 others, I think those songs probably
would've been better because we would've focused more on those songs. I mean,
1979 was written...basically in a day, and recorded..like in the following 3 days. So
the entire amount of input time on 1979 was probably about 5 days. And it turned
out good and I'm very happy with it, but you still wonder what you would've done
if you had worked on it a little more. You know, those kinds of things..that's all.
So I'm looking forward to, now on the next album getting back to just doing one
single album and really focusing on that one album and making every song
incredible. With Mellon Collie, the idea was to make an incredible record...that was
beyond compare in modern rock. And..I feel that we did that, but individually
certain songs probably suffer or aren't as good as they could be because we...we
worked on so many things.
Interviewer: It wouldn't affect the variety of songs, though?
Billy: I think we're gonna...You'll find that we're probably gonna move away from
that a bit...uhm... Well, you know, a part of the standard of what we try to do has
always involved the idea of playing live. I don't think we'd be inclined on an album
to put certain kinds of songs if we weren't thinking about playing live. So, on the
next album we're gonna remove the context of playing the songs live, and just
basically try to make music that's incredible in and of itself and not really worry if
it's going to translate to people in a..in a theatre or whatever. And I think along that
end, I think you'll see less polarity between heavy and soft. And maybe slighty less
diversity in some sense of the word because it'll be a more focused, singular effort,
to make, just great music. I can't really say because we haven't gotten there yet...
Billy: Well it's kinda..for me it..it brings about a couple answers. On one level, I
think that...We're kindof.. Billy: I don't like to talk about that, to be honest.
Interviewer: Is that part of the...marketing strategy?
Billy: (laughs aloud) I don't know what you mean by marketing strategy...
Interviewer: Well, not to talk about influences?
Billy: Billy: Heh, I tend to prefer the word 'Idiot.'
Interviewer: Instead of 'asshole.'
Billy: Yeah. 'Idiot' is a little less blameful than 'asshole.' I don't think there's
anything wrong with playing the fool. I think it's just as interesting as attempting to
play the genius because I'm neither.
Interviewer: But playing the fool you have to have the ability to play the fool so
that it's funny and so people understand you.
(the whole band starts laughing aloud)
Billy: (as the band laughs behind him) Are you saying that I'm an unsuccesful fool?
(laughs)
Billy: Just because you don't get doesn't mean it isn't funny.
Interviewer: I don't know, maybe you have to work on it or so (Billy laughs) but it
comes across a different way.
Billy: I dunno, is this an interview or a counseling session? Are you here to help me
or ask me questions?
Billy: I feel that people tend to overintellectualize what we do. And I think, at times
poking a little fun out of it, and letting the air out of it shows that, WE don't take it
so seriously. But the problem is, people ask us overly intellectual questions, and we
answer with overly intellectual answers, then...that's really missing the point. The
point is a lot of this music is created, with comPLETE stupidity. We have NO idea
what we're doing, most of the time..we just do it...All graces to God.